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Italiano: https://drive.google.com/file/d/1THbEMD5LFi-951i8U1OM5IhKfPTxhxMe/view?usp=drivesdk
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The Exhibition ‘Threads and Schools – 2nd Edition’, held from 8th to 16th March 2025, was the second in a series of annual events, organised by the local association “Ago, Filo e Fuselli”, mostly thanks to our President Luigia Tosin, with the collaboration of Alessandra Caputo (President of “Merletto Italiano” and the owner of the site www.merlettoitaliano.it). We usually organise an exhibition each year in March, to promote lace and the lace’s cultural heritage.
The theme we want to explore, that is highlighted in the subtitle: "To educate, To know, To know how to do", is the transmission of historical and artistic knowledge, both material and immaterial, of Italian lace. The crucial aspect is how to pass down the art of lacemaking, and we all can agree that it is very important to raise the issue and discuss it.
We – in our association - are particularly sensitive to the topic, because our city is relatively new. Founded in 1936 and destroyed in 1944, it was reborn after the WWII, with the arrival of people from various parts of Italy, and also from abroad. The flow of people moving here never stops and we now live in a big city with 80 thousand residents. We do not have a long local tradition of lace. Everyone used to have their own culture and traditions, but the elders are struggling to pass on the art to the new generations.
Of course, the exhibition is a great opportunity for lacemakers to showcase their work. But mainly it is an amazing opportunity to invite school children, and our main goal is to involve as many children as possible. Fortunately, a small percentage of parents show some interest, and some children return to take lessons, even after the exhibition is over. Last year I met Elena, a sweet 8yo, who came for 2 months and learned the basics of the shuttle. There are pics of her, taken for the “International Lace Day 2024”, shared in Fb with her parents’ permission, but I’ve never asked the permission to share her in my blog. Obviously, you can easily guess, I felt as though I won the lottery!!! She didn’t come back this year, but I’m sure she will tat again, one day or another, in her future!
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Pic taken during this year’s exhibition, when some little girls tried tatting. |
Last year lacemakers came from North Italy, this year they came from Central Italy.
I’ll share here some pictures taken during the week. For pictures of the single panels please visit the Fb page of our association "Ago Filo e Fuselli". The exhibition was opened with a conference in the city Hall, followed by the official opening.
In the table dedicated to our association, we had the artwork entitled: “Women Weave History”, the 3D work created by assembling the works of the ladies of the association “Ago, Filo e Fuselli”, according to the design by Luigia Tosin. The work stood out in 2012 at the 10th International Lace Competition titled “Women: the long road to emancipation”, held in Sansepolcro(Italy), when the judges awarded the association with the following motivation: “as an interesting work demonstrating the stages of the most prominent women in recent centuries”. The competition was promoted in Sansepolcro by the “Lace in the city of Piero” Association, during the 15th International Biennial of Sansepolcro.
We had on display also the bobbin lace work made by Luigia Tosin (for the red bag on the left the design is by Luigia, for the bag on the right the design is by Michela Zoncher). In addition, other works by the associated ladies were also on display.
And at our table we were proud to display the bobbin lace made by the youngest member of our association, Giulia, who is only 7yo!
I was in charge of preparing the posters, the maps and all the captions, many "do not touch" labels, and of producing (with the help of online tools) the vocal texts to be associated with the QR codes positioned next to the panels. We aren’t a big group, and most of us are retired ladies, so I’m one of the young girls, lol!, also available for flyer distribution and “quick tasks”!
The day of the conference I was really anxious, but everything went well. The aim was to share experiences of teaching, and every speaker confirmed that there are great difficulties in transmitting the art of lace. Everyone searches, and experiments with, ways to approach the new generations. The most moving testimony was from the manager of the Museum of Pescocostanzo, a small town of 1000 people, with a centuries-long tradition of bobbin lace. He concluded his speech with a very sad phrase, hypothesizing that their lace will no longer exist in 30 years... But we also had optimistic testimonies, from a city were an association regained vitality during the COVID season: they are currently around 300 lacers, and in their region they have also been allowed to teach in schools. We all agree that we need to create opportunities to reach young people. In our association we try to do it with our annual exhibition, relying on visits from schools.
The laces displayed in the exhibition were wonderful, all with their peculiarity - techniques, tools and drawings. We had a lot of samplers, too. Pictures are here: https://www.facebook.com/media/set/?set=a.1044929907659801&type=3
I talked about the “Endrucks 1920 Project” but not in the conference. I’m really happy that the Project has received many compliments from expert lacemakers. I told to the visitors about the “Game of the Month” and how many tatters have learned new techniques just to be able to take part. Of course, I stated clearly, it's not only my work, I’m only one of the many designers from all around the globe who contribute to the Project. I therefore gladly share the compliments with Muskaan and all the Endrucks group.
In January, February and March, I had very little time for the Endrucks’ Project, but I thought the exhibition could not have passed without something new, tatted especially for the occasion. So, in late January I had the insane idea to tat my banner to be put on top of the accordion book. I tatted one letter per night, about one hour and half per letter, I didn't mind if there were cuts and they were not perfect, they had to be good on the first try, I really didn’t have time to tat them twice. They were very fast to tat, because I had already tatted all the original patterns and I knew the patterns well. I also had the help of Muskaan, who saw a preview of my models and suggested to add chains for a bold look. I’m very grateful to my talented Partner In Crime, she’s always present and positive, and always encourages me.
A heartfelt thanks goes to all those who made this event possible, and to all the participants and visitors. Next appointment will be next year (2026), with participating associations from South Italy.
In the meantime, I try to promote tatting and the “Endrucks 1920 Project” whenever I can. I sent one of my works, together with a work made by Luigia Tosin in bobbin lace, to an exhibition in Orvieto (a city in Central Italy), that will be held in June. The event is called “An Iris for Orvieto”, and in fact I tatted a 3D iris flower, with a pattern derived from E11. I promise you that the pattern will be available in the Project’s collection. Pictures will come soon!
Ciao, Ninetta.