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Dear Reader,
I share here what I like and what works for me. If you've been following me, you know that I can change my mind from time to time, and feel free to comment that I'm completely wrong, you may be right. I'm not running a business. I'm not paid and have never received any compensation or facilitation for any review/brand/site here mentioned. In case one day we'll ever meet, I'll be the one offering you a cup of Italian coffee, too.
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Showing posts with label mignonette con brio. Show all posts
Showing posts with label mignonette con brio. Show all posts

Tuesday, 11 June 2019

a little bit of everything

That's a very untidy post. A little bit of everything means that nothing is finished! Well!

That's what's up!

But first, I want to share my thoughts about the treble tatting join (TJ).
There are two methods, mine and Muskaan's. The Muskaan's method gives a slightly overlapping effect, then I think that I would better specify which TJ I'm using in patterns, because you would end with a little bit different looking tatting.
I've used both methods in this doily, now I must find a way to address them correctly in patterns. Should I call them TJa and TJb? or TJn and TJm??? Mmmm...

I'm at an impasse with the next one, I think it's nice as it is or... I could add one round more, but can't decide...


Then, I found a very lovely doily in the second issue of Mani di Fata, that is from 1942.
I discovered that that issue contains exactly the same patterns found in a little bit older german publication, from 1921. You can find the same doily at page 12 at this link:
http://www.georgiaseitz.com/public/neueschiffchenspitzen.pdf
That scan has been kindly offered by Georgia Seitz in the page "The Archive of Tatting Books in the Public Domain": http://www.georgiaseitz.com/public/publicindex.html

UPDATE: the book is from 1935 and it is listed here: https://www.craftree.com/sources/10176  

Now, I'm very curious how and why that German publication was folded into the Italian magazine... Any of you can answer?

That is my start, that is not quite the same, but I know that you already got me!


In the left corner of the very first picture, there's one of two flat wood shuttles that I bought at Zagarolo, last week. They are perfect to hold beads!

That's all for today. Hope to have a little bit more to share next time!

Ciao
Ninetta

Tuesday, 12 February 2019

put to good use

Now, this little doodle is with my mum, I'm sure she already put it to good use. I could tat it again, even though, next time, I think I'd change something, in fact I was trying to get the effect of hearts over hearts, it looks like I got a rose, instead...
It's tatted with 2 shuttles, no cuts from start to end, metallic thread is Finca gold and DMC red.

I've another little project started, but I'm at a point where I don't know what to do,  it's a mignonette doily pattern, with rings that have also treble tatting stitches:
I had to cut out all the last round, it happens! It wasn't for stitches' miscount, but simply because I didn't like it. That is what a design in progress looks like, at times!
In between a rose and a doily,  I'm preparing 4 or 5 tiny purses, those will be surprise gifts for friends, so.... Shh!!!
Pattern for the mignonette purse is by Sandra Hameed, but I put bugle beads till the last round. 
I found the pattern at this link: 

Have you spotted the grey and pink bag in the last picture? It is the "large handcrafted tatting bag", made by Tamie and sold in etsy:
Actually, she sells them at a very reasonable price, if it wasn't for the high shipping costs from USA to Italy! But the sweet Tamie found a way to send a padded pack, to reduce costs, and the bag arrived safe here in two weeks! For once, I splurged!

Ciao,
Ninetta 

Tuesday, 8 January 2019

tatting movements and stitches

****** Happy New Year! ******

Please, N.B. : This post is my own perspective on defining/dissecting tatting stitches through movements.

My special thanks goes to Muskaan, her help has been precious to clarify the rough concept that I had in mind (and also to put it in a good English 😊).

Please read also my other post about tatting stitches and techniques, here:
https://ninettacaruso.blogspot.com/2018/06/differences-between-stitch-and-technique.html

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In order to state that the treble tatting stitch is a valid tatting technique, and trying to do my best to rationalize things up, I now want to reassure traditional tatters...

1.   Tatting has just 2 basic movements: the first half stitch and the second half.

Note: Basic picots are not movements, nor stitches, they are just bare thread.

2.  Those 2 basic movements, plus only one additional movement that is the twist, can be combined so that they make few basic techniques, that are the so called basic stitches of our lace. The twist can be done with the core thread, or the ball thread, or both.

Then:

3.   The way the stitches (basic techniques) are combined and connected with each other, forms the variable part; those combinations are true techniques, not stitches. (It is a fact that there are many technical solutions to the same problem, for example there are various types of joins.)

Note: Joins involve a 4th basic movement of pulling a loop and passing a thread through (that is, the shuttle for shuttle tatters and the needle for needle tatters).

4.  It is due to this variability that a design can be executed in more than one way or even have a different finishing appearance. For example, a different effect can be achieved by changing only the bare threads, or the technique to make decorative picots.

Please note that:

5.  I'm not talking about design elements, that usually means rings and lines, but there's more. Design elements can be tatted using any technique (stitches or true techniques). For example, onion rings, pearl tatting, block tatting, split rings, curled rings,... are design elements.

********************

In this perspective, reading point 2., traditional double stitch is a combination of 2 basic movements, and the treble tatting stitch combines 3 basic movements, hence it can be called stitch and is a valid basic technique. If not, so why English speaking people had the need to baptize as stitches the Lock Stitch, that is another combination of the 2 basic movements, or the Padded Double Stitches that are featuring also the twist, or Double Double Stitch?
Rose motif, pattern at page 15 of Priscilla Tatting #3, with "Priscilla's knot stitch" tatting
Maybe, explaining tatting in these terms, that would help other tatters to try new unexplored combinations of the basic movements. For example, what if I did only a first half and then a twist? Would it work? Has it been yet invented? How many twist? How many basic movements' combos have still to be tried?
Edging tatted with "Dora Young's knot stitch", explained in her book "All new knotless tatting designs".

I sincerely think that tatting is still evolving and there is a set of techniques that are internationally accepted and named, while another set is subjected to different approaches, like, for example, different names for the same technique. I'm trying to explain tatting in a new way, that is moving far from the rings-and-chains definition, focusing on movements and stitches, instead. That’s nothing new, in fact also crochet and knitting and bobbin lace use the term “stitches” for their techniques.

And to think that someone had called it the lost art!

🦋🦋🦋🦋🦋🦋🦋🦋🦋🦋
Next post will be about treble tatting stitches in rings with daisy picots, but here it is a sneak peek of what I'm tatting right now:

Ciao,
Ninetta

Thank you very much for all your nice comments.

Ciao
Ninetta