tiffany bezel

That's a nice way to tat around a rivoli. I learned that the "Tiffany setting" is the most famous engagement ring, since 1886. That one with the diamond, of course.

In my tatted version with the much cheaper rivoli, I have two rounds: front side there is a ring with only treble tatting stitches and the second round has rings on the back of the rivoli.

I didn't cut the thread for the entire length of the bracelet:

Thread is Sanbest metallic 4 strands, colour number 108. I used rivoli Swarovski 14mm.

I'm still playing with this method, I will share it as soon as I'm more confident that it works well.

In the next pendant I put the bezel in the centre and then I tatted 3 repetitions of the square pattern "oh, sugar sugar!" (visual pattern is in Flickr: https://flic.kr/p/HRYJaF)

Thread for that necklace is Sanbest 3 strands, colour is called Chameleon, a multicolored green and gold, mixed metallic and polyester. The rivoli is a beautiful "Crystal Sunshine DeLite" 14mm. Little beads are miyuki rocailles 15/0, copper.

Ciao,

Ninetta

UPDATE: Please refer to the page "Treble Tatting Stitch - Summary" - https://ninettacaruso.blogspot.com/p/blog-page_95.html for any info about treble tatting stitches, thank you.

Parure “Anne” - with pattern

I’ve been updating my tutorials' and patterns’ pages, with links and pictures. Please if you find any oversight from my side, leave a comment in the corresponding blog post. Thank you very much for your help.

🌸🌸🌸🌸🌸🌸🌸🌸🌸

For tatting the bracelet, I’ve followed almost Anne Orr's pattern for an edging. It is from J&P Coats Crochet, Cross Stitch & Tatting Book #14, 1923. (Tatting is at pages 7 and 8.)
The edging is the fourth starting from the top, at page 7:
https://www.georgiaseitz.com/public/anneorr/book14/ao_p_7.jpg

To have the inner ring coloured (blue in my sample), split rings are tatted with 3 shuttles, two of them are for the split rings, the third shuttle/thread is hidden inside the reverse side of the SR, and it is used to tat the inner ring.
I tatted my bracelet with only 2 shuttles, the inner ring is tatted and joined to the outer ring using the same method that I explained here: Anne Orr's Slip Join (AOSJ) – pics 43 & 44
 
In the next, numbers without other indications are double stitch count.
ds = double stitch
- = picot
+ = normal up join
R = ring
SR = split ring
OR = onion ring
AOSJ = Anne Orr's Slip Join
SSSR = single shuttle split ring

Anne Orr’s pattern for edging with split onion rings:
SR: 8-1- (stop and then tat 1-8 ds after the reversed side) / 9 [R:10 AOSJ 10] 9.
Repeat for the desired length.

My bracelet’s pattern:
Bicones and pearls are 4mm. Thread is Sanbest col.num. 108 (4 strands, very similar to a size 20 cotton thread). I put the beads using this method: Bead in face-inward picot https://flic.kr/p/mTMZeB
Start with a ring: 12.
SR: 9- (stop and then tat 9 ds after the reversed side) / 9, [inner R:4, insert bead, 4, AOSJ 4, join the picot for bead, 4 ], 9.
Repeat split rings for the desired length.
Finish with a ring: 12.

I usually use this method to finish the last ring of my bracelets: Finishing with SSSR (http://tattingfool.blogspot.com/2011/07/finishing-with-sssr.html)

**************************************
The pendant’s pattern starts with an onion ring with true rings (https://ninettacaruso.blogspot.com/2020/04/the-onion-dilemma.html):

Onion ring:
- Inner ring: R:4, insert bicone, 4, AOSJ 4, join the picot for bicone, 4.
- Outer ring: 6-6-6 onion ring join 6-6-6

Then I climbed to the second round in the same way I used for the "square medallion in leaf design", described here: https://ninettacaruso.blogspot.com/2020/05/mock-and-split-but-still-genuine.html.
Rings’ stitch count in the second round is the same as the central true onion rings, but they are all split onion rings, like in the bracelet and in the Anne Orr’s "square medallion in leaf design".
(Note for myself: this second round needs a drawing)

Then I climbed to a third round (the first bigger ring is a split ring):
SR: 6-6; Repeat for 3 times.
SR: 6 / 3, [bigger ring: 6, insert pearl, 2+8+2, join the picot for pearl, 6], 3. (bigger ring is joined twice to the second round)
Repeat all around,
then finish with a round of Chains: 8, lock join to split rings’ base.

The pendant ends with a split chain and a multiple onion ring, that is 3 true onion rings and one mock ring (“6.2.2 Inner and median true rings and outer mock ring”, it is for 3 rings but it is the same method with 4 concentric rings).

I “copied” the idea from Muskaan, who used a folded multiple onion ring to have a loop/hook where passing the chain through (Thank you Muskaan!). This is the link to her original post: https://tipsaroundthehome.blogspot.com/2015/04/parallel-tracks.html

Curled onion ring:
innermost ring: 6-6.
second inner ring: 8 onion ring join, picot, 8.
third inner ring: 12 onion ring join, picot, 12.
outer mock ring: 14 onion ring join, picot, 14.
Fold it over and tie threads.

The necklace is a line of split rings, all are 8-8.

**************************************
Earrings’ pattern:
The earrings’s onion rings are tatted with the same stitch count of the bracelet.
It starts with an onion ring:
Inner ring: R:4, insert pearl, 4, AOSJ 4, join the picot for pearl, 4.
Outer ring: 18 onion ring join 18.
SR: 9- (stop and then tat 9 ds after the reversed side) / 9, [inner R:4, insert bead, 4, AOSJ 4, join the picot for bead, 4 ], 9.
SR (name it A): 8-8
SR (name it B): 8-8

Multiple onion ring:
innermost ring: 6-6.
second inner ring: 8 onion ring join, picot, 8.
outer/third SPLIT ring: 12 onion ring join, picot, 12.
Finish with a small ring of 8 double stitches (I ended with the SSSR method by Miranda).

Then, to insert the earrings’ post, please look at next pictures: insert the small ring, from front to back inside the SR named A, then pick up the post and put it between the multiple onion ring and the SR named B, then inside the small ring.

I finished it sewing small ring and SR B together with a needle, using 2 strands of my thread.

That is a close up of the earrings, front and back:

Ciao,
Ninetta

a lanyard with treble tatting

I added a lanyard to the pendant showed in previous post, but this time I played a little, adding treble tatting stitches. Of course this lanyard (with or without beads) can be used also to tat bracelets or bookmarks' tails or eyeglass necklaces holders.

For the previous necklace, I tatted all split rings, with beads. You make the loop around your hand with 2 beads in the loop, then, before tatting the second side, one bead is moved in the starting point of the split ring, while the second bead is trapped at the base when you close the split ring. Beads are pre-loaded in shuttles. The two detached lanyards are connected to the pendant with 2 curled rings of 8-8 double stitches (that is 8ds, very small picot, 8ds).

Actually, you see from last pic, in last post I lied 🙇🙇🙇... I didn't cut and tie and hide the two ends of thread at the end of the pendant... Instead, I tatted the ring 8-8 double stitches, leaving a very small bare thread space, then I curled it and blocked that ring in position, over the last chain tatted in the pendant, being careful to hide the second thread tail "inside" the curling.

In that way, I already had both shuttles ready to start the lanyard on that side. The other side lanyard has to be a fresh new thread.

But I don't like tatting the same old boring things, do I? No, I'm joking, tatting is always fun and beautiful! 😍
Well, I thought, I could have fun, changing the all split ring line with something different, and - why not? - with treble stitches!

I tatted a sample without beads and with two colours, so I hope the pattern is more clear than the tatting with that gold thread used for the pendant.

Pattern: start with two shuttles and tat a ring (or you can start with a split ring). My split rings are 8double stitches each side. Reverse work (I reversed work after each split ring). Exchange shuttles and tat a chain of 3 treble stitches. Then do not reverse work and use the ball shuttle to make the loop around your hand and tat the next split ring. Close that split ring and reverse work (in this way, also shuttles are exchanged), then tat again a chain with 3 treble stitches. Go on till you reach your desired length.

If you, like me, want to add beads, I did it in this way: beads in split rings are put exactly in the same way I did in the previous - only split ring - necklace. Then, before starting the chain with treble stitches, slide one bead from the core shuttle and another from the "ball" shuttle, then tat the chain and before starting the next split ring, do the same, sliding one bead from the core shuttle and another from the "ball" shuttle.

Ciao,
Ninetta
UPDATE: Please refer to the page "Treble Tatting Stitch - Summary" - https://ninettacaruso.blogspot.com/p/blog-page_95.html for any info about treble tatting stitches, thank you.

Pattern for the pendant with zoliduo beads

🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃
That's a treat for you... There aren't treble stitches in this pattern, but you know that has been a real challenge for me resisting the trick 😉 and to do not change anything respect the original pendant shown here:
https://ninettacaruso.blogspot.com/2018/05/zoliduo-again.html

Thread is Finca metallic gold colour 0006 n.2/C, doubled (that is, shuttles are wound with 2 strands of Finca thread, it is almost like a size 20 thread), zoliduo 5x8mm beads matte metallic lava red (3 left and 3 right beads), one swarovski pearl 6mm, rocaille miyuki 15/0 galvanized dark mauve (4213).

You'll need 2 clips (or 2 safety pins).
SH1 = first (or core) shuttle; about 1 meter of thread.
SH2 = second (or ball) shuttle; about 2 meters of thread.
The 2 shuttles are wound CTM.
LJ = lock (shuttle) join
AJ = alligator join (that is, pass the SH1 thread over and the SH2 thread under the work before the next stitch)
LP means long picot. A gauge is needed, 5mm.
Numbers in this textual pattern are double stitches.
+ means normal upper join.
fhs = first half double stitch
shs = second half double stitch

Symbols for beads:
b = rocaille miyuki 15/0
B = swarovski pearl 6mm
Zr =  zoliduo 5x8mm right beads
Zl =  zoliduo 5x8mm left beads

This is a basic pattern, only rings and chains, for only one pendant. If you like adding a tatted lanyard, for wearing it as a necklace, that is left to your creativity.

Symbols are the same that I found in this page by Nina Libin (Beaded Earrings): http://www.georgiaseitz.com/classes2/libinear.html

: = one bead 'up' (on the picot) one 'down' (on the shuttle thread)

Plus these symbols:
Bb* = 8 b beads 'up' (on the picot) one B bead 'down' (on the shuttle thread)
·:· = 3 beads 'up' (on the picot) one bead 'down' (on the shuttle thread)

Please remember (from the same page by Nina Libin):
'UP' BEADS ARE BEADS ON WORKING (left hand = ball) THREAD
'DOWN' BEADS ARE BEADS ON LEADING (right hand = shuttle) THREAD

How to load beads:
Wind SH2 shuttle with 3 and half meters (just a little more than required) and unwind about 1 meter, then load beads (after that, you'll load the one meter in SH1 shuttle). Load beads in this order:

• 71 b 
• 10 b
• 3 Zr (through the hole in narrow front side)
• 1 B
• 3 Zl (through the hole in narrow front side)
• 35 b

Wound SH1 with the thread you had unwound and divide beads: all first 71 b must go on the SH2, then the rest on SH1. That is, you must have 10 b in SH1 as first beads, when SH1 thread will be wound.

Start with a clip (or a safety pin) and the first element to be tatted is a chain.

Chain 5 : 1 : 1 : 1 : 1 : 1 : 1 : 1 : 1 : 1 : 1 Zr 1 Zr 1 Zr 2 Bb* 2 Zl 1 Zl 1 Zl 1 : 1 : 1 : 1 : fhs AJ (after the first 6 pairs of b beads) shs : 1 : 1 : 1 : 1 : 1 : 5 Reverse work;

Ring 6 LP 3;  Reverse work;
Chain  2 : 1 ·:· 1 : 2;  Reverse work;
Ring 3 + 1 LP 3; (join grabbing the long picot passed through the second hole of the zoliduo left bead on the first long chain)  Reverse work;
Chain  2 : 1 : 1 ·:· 1 : 1 : 2;  Reverse work;
Ring 3 + 1 LP 3; (join grabbing the long picot through the second hole of the zoliduo left bead on the first long chain)  Reverse work;
Chain  2 : 1 ·:· 1 : 2; LJ to the long picot passed through the second hole of the zoliduo left bead on the first long chain; (do not reverse work)
Chain  2 : 1 ·:· 1 : 2; LP with the shuttle core thread (block it with a clip or pin, passing the LP through the second hole of the zoliduo right bead on the first long chain); (do not reverse work)
Chain  2 : 1 ·:· 1 : 2;  Reverse work;
Ring 3 + 1 LP 3; (join grabbing the long picot blocked through the second hole of the zoliduo right bead on the first long chain)  Reverse work;
Chain  2 : 1 : 1 ·:· 1 : 1 : 2;  Reverse work;
Ring 3 + 1 LP 3; (remove the clip and join grabbing the long picot passed through the second hole of the zoliduo right bead on the first long chain)  Reverse work;
Chain  2 : 1 ·:· 1 : 2;  Reverse work;
Ring 3 + 6; (join grabbing the long picot passed through the second hole of the zoliduo right bead on the first long chain).
Remove the very first clip and join work to the starting point. Cut and tie and hide threads.

Happy tatting.

🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃 🎃

Do you remember that I've been learning the embroidered netting lace? The ladies from Bosa, maestre of their Sardinian filèt called  “SU LÀURU 'OSINCU”, came again last week. I'm very slow with this work, I'm still on the same net started last year, but I always learn something new, every time they come here. That is a pic of the net just today:

and a close up:

Ciao,
Ninetta

Zoliduo again

Thread Finca metallic gold color 0006 n.2/C, zoliduo 5x8mm beads matte metallic lava red, swarovski pearl 6mm, rocaille miyuki 15/0 metallic bronze. And shuttles!

Ciao,
Ninetta

rosary and beads

Jeanne Lugert this week shared her rosary pattern with the Online Tatting Class. Pattern is in her blog, here it is the link: http://ladytatspatterns.blogspot.com/2010/11/rosary-pattern.html
It's so lovely, it can be also a lanyard or a necklace and it can also be embellished with beads and also you may like to change the cross' pattern. Many thanks to Jeanne Lugert for this beautiful design, she is also the designer of the beautiful roses that I've tatted many times, for example here: lilliputian rose.

I've also watched last video by Karen Cabrera, showing prayer beads, it's an intriguing technique, it also seems very useful for jewellery or key chains or wherever you like a tatted charm. Many thanks, Karen!

This is my version of Jeanne Lugert's rosary, with the beads covered in tatting:

Link to Karen's video is here: https://www.youtube.com/watch?v=8im4OB91AWY

Actually, I did little changes. My beads are quartz, 6mm ∅, and they are slippery, so I've tatted flowers of 4 rings of 5ds, -join to previous-, 5ds, picot, 5ds, picot, 5ds.
Then, in place of tatting the flowers "detached" (as showed in Karen's video), I've tatted them with one of the 2 shuttles and substituted last ring with a split ring. In order to stabilise the bead, I've passed the other shuttle's thread through between the second and third ring. Sorry, I think my description is not so clear, maybe I should share a video too.
-------
UPDATE - this is my video: https://youtu.be/9a-7maDmS9M
-------

For the rosary, I substituted the lock stitch chain with a spiral chain: 

I realised that the lanyard can be tatted starting from the junction, that is where the pattern has a big ring. But I had to change that big ring with 2 rings, that is one is the starting ring, then I tatted the lanyard and came back to that point tatting the second ring:

That is the junction:

After that, I tatted the short section with the cross and ended the pattern finishing with an SSSR (Miranda's method)

Last pic today is from my home: knotting's framed!

Ciao,
Ninetta

don't lose the keys (and the tatting, too)

They're 20 in total and I'm glad my friends loved them, they have already been given away as xmas' gifts. The plastic key fob has been tatted around as it was a stone, like the earrings here: "international drop addiction", thread is 2 strands of Finca light gold (Hilo Metalizado, 1000mts, Presencia Hilaturas).

The little crosses inside had been part of the net embroidered last summer, there was some space left after I finished the fans and I thought to make something so the precious handmade net would not have been wasted.

This was the net before I cut the fans, bookmarks and many motifs. I still have to buy a structure for the second fan, but the lace is saved.

I finished a necklace, using the same thread Finca and light blue bugle beads, I also added some little pearl drops. I like it, especially the chain with the interlocking split rings, that gives a pretty touch to the pattern. I plan to make a second one in silver, not soon though.

There is a post of mine about how to tat the interlocking split rings, it was useful as I don't often tat this chain. I tatted using "Method 2" in my tutorial, link is here: interlocking since 1869

I thought that those earrings in previous photo didn't match and then I came up with another pair, much better in my opinion.

In the next picture there is a box that has a pincushion in the cap, I saw this in Pinterest and I couldn't resist to try it out, made from a tuna can, fabric and cardboard. This is the original source: http://1inchminisbykris.blogspot.com/2017/02/something-different-to-do-pouf-for-you.html
I used the wrong type of glue, it smell badly, just because I still haven't learnt how to use the hot glue gun. Next year...

I wish you all my heartfelt Merry Christmas and I'll take a break from the blog, till next year. I'll tat mini roses, mini bedspread and I'll also knit scarves... and I will eat panettone and torrone, of course!

Ciao,
Ninetta

naughty sewing thread!

Again about cabochons and a new video of mine.

Earrings with buttons (backside tatting is equal to front, Russian method - as far as I know). There are Usha's dot picots in chains, hardly visible in that picture, it's a pity, they are pretty and delicate. She made a video to show how to tat dot picots: Dot Picot in Tatting by Usha Shah
Thread is HWT, one thread is Finca light gold (Hilo Metalizado, 1000mts, Presencia Hilaturas), double strand, 35% polyester and 65% Viscose, the second one is an anonymous metallic sewing thread.

About HWT, please read this post by Jane Eborall:
Tatting and not a lot else!: HWT

I made a video to show how I'm winding the shuttle HWT, one of which is a very hard to manage metallic sewing thread. I've some spools of various brands, all of them unroll very easy and I soon look like a cat tangled in its yarn ball. You won't see me tangled in the video, in fact I'm sharing my way to fill the shuttle without having a headache.



In next picture there are cabochons made with my method that is tatting two rounds of rings and chains around the stone, but is seems that it doesn't work! I made 19 rings and it was very loose, so well I didn't worry and I changed it for another stone, then I made 18 rings and it was still loose, the last is 17 rings and it is loose again! Ah! this naughty HWT has got elastic properties! I bet it will work with 16 rings... no, I'd better don't bet.

In the two on the notebook, rings are 4-4-4, chains are 4-4. I think I must change the stitches' count. The stones are 3cm wide and 4cm high and they are thick.

Ciao,
Ninetta

Related post

unexpected lifeless vitality

 international drop addiction

international drop addiction

Thank you very much for your nice comments in my last post.😍🌹

That's the international story: after last year Edda Guastalla's tutorial on Etsy ("Come si costruisce un castone a chiacchierino", tutorial and 14 patterns), many tatters around the world became addicted in making bezels with tatting, especially Diane, who wrote a very clear Ice Drop Tutorial and started her VERY contagious series of ice drops, two or more per days for months, so beautiful that any attempt to resist is vain. There are many other patterns online in "Tatternet" (the internet looks like that if you only look for tatting!).

I had resisted till last week, but now you can say I've taken the worst infection.

I remembered a clear post in 2014 by Corina about Tatting and cabochons, then I followed her instructions for the method she had found in a Russian forum. Fast said: you tat detached R1 and R2 with the shuttle, then a chain, then tat R3 joined to R1, and in the same place tat R4 joined to R2. Continue with another chain and so on, R5 joined to R3, R6 joined to R4, chain again...

Those are stones, quartz. The method is simple and versatile (ops! another English word equal in Italian!), in fact the two rings, that you tat in the same place, let you fine-tune the bezel as you go around, there isn't the need of many prototypes to find the right measure. Corina mentions that you can draw the shape and plan ahead a little your path. I found that is better stay a bit larger, because stones have their thickness and they are all different. My first trials are very basic though.

In the next, R1 is 4-4-4, R2 is 6-4-6, chain is 6-6.

Thread is almost a size 70, HWT (ask Jane Eborall the acronym), the thin multicolour is metallic Madeira.

The next is tatted with DMC 283 metallic silver, "he" is the most photogenic in the group...
Pattern is like Diane's, in fact it has been tatted one side then, without cutting the thread, the other side.

These are black faceted glass beads.

The next are handmade glass beads that I bought in Venice in 2015, pattern is following the Russian method, then I added one or two rounds with curled rings. R1 and R2 are 8-3-8.

The next  is another stone (agate?) that I bought in the local market some time ago, pattern is equal to the cabochon that I tatted and showed in a post of June 2014 (unexpected lifeless vitality), they are two equal rounds, rings are 3-4-3 and chains are 4-4, I had to guess the number of rings because you can't say that it fits the stone till you had tatted everything, so it isn't an easy method, at least one prototype is needed. I added the last outer round of chains at the end. I don't feel to recommend this method. Thread is HWT but the little spool with sewing thread hasn't a label, I can't remember where it is from.

That in next pic is a clear glass bead, I've bought 2 but in one the hook had broken. Thread is dmc 283, sorry I didn't write down the stitch count.

Finished? Oh no! I still have a spool and miles of gold thread!

And that is an empty cage, "non tutte le ciambelle riescono col buco", i.e. things can't be expected to turn out right every time.

Now I should choose one of the drops to match with my new silk dress, if ever it will be finished in time for a wedding in early July I have been invited to.

Ciao,
Ninetta

Related post

unexpected lifeless vitality

Update: this is me with the new dress, pattern is from Burda: