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Dear Reader,
I share here what I like and what works for me. If you've been following me, you know that I can change my mind from time to time, and feel free to comment that I'm completely wrong, you may be right. I'm not running a business. I'm not paid and have never received any compensation or facilitation for any review/brand/site here mentioned. In case one day we'll ever meet, I'll be the one offering you a cup of Italian coffee, too.
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Showing posts with label tutorial. Show all posts
Showing posts with label tutorial. Show all posts

Friday, 31 July 2026

an angel to bring hope and love

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Italiano: https://drive.google.com/file/d/1eXd1V9wCXnMQMN_A1XxxvhUzTptFCKiN/view 

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A previously unnamed and unpublished angel pattern I drew in 2012 has now been revised and corrected, thanks to my PIC Muskaan, who helped me and proofread the PDF, and thanks also for a wonderful initiative that gave me the opportunity to rediscover this forgotten pattern. You can find the pattern in both Italian and English. Here are the links to the two PDF versions:

Angelo Lia, Italian version: https://drive.google.com/file/d/1KntC2p3UkZq8hQ1vEz7vmIAFCJ6AqeN9/view?usp=drivesdk  

Angelo Leah, English version: https://drive.google.com/file/d/1cIY84JtmY3__tA5CpvQQpKFss90lLynM/view?usp=drivesdk 

I experimented with some interesting effects and techniques, something new to me in 2012, such as the large thrown off rings with dimples for the wings, the Long Picot Join used to make the arms, and a long double picot used to make the halo. I honestly don't remember if I was trying something I'd seen before, but Muskaan helped me organize, suggested the right names for the techniques (that I ignored in 2012) and even added links to tutorials for a few steps. She is the best!

For the large rings, I used a method described here: “Working with Large Rings by Patty Dowden 2013”, a Tutorial prepared by Muskaan for the #Endrucks1920Project: https://drive.google.com/file/d/161D5JeEPk4u_d6Pu6uAsaWjTTLzff4Fj/view

The “Long Picot Join” was described in a tutorial by Muskaan in her blog, here: https://tipsaroundthehome.blogspot.com/2017/03/marigolds-in-row.html  (look for “joining to adjacent flower : ( pictorial B)” )

In the next, I will tell you what prompted me to publish the pattern.

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Tamie Montgomery, who leads "The Online Tatting Class Founded by Georgia Seitz", has launched the "Heavenly Angels Challenge" in support of the "Angel Tree", a charity initiative promoted by the Salvation Army (an international organization), which helps parents in need give their children the Christmas gifts they desire. Children's names are usually written on paper angels and hung on Christmas trees at locations where donations are collected. TOTC's Challenge consists of tatting and donating angels, which are then kept as gifts for the donors or gifted to children. In the United States, the angels should be sent to the Palmetto Tatters Guild.

Anyone here in Italy can bring their Angels to any paediatric hospital, church, or charity, clearly specifying the purpose, or donate it to the families in need. Tamie writes:

“The hope is to help the children that are either underprivileged or entering a stage in their life that no parent wants to face alone. We hope it brings hope and love to everyone that is touched by an Angel tatted and donated. “

"The Heavenly Angels Challenge", as the initiative is called, begins by tatting 5 angels and then nominating 5 tatters who will each send their 5 angels, who in turn will nominate 5 more tatters, and so on, in a chain that will hopefully produce many more angels.

All the information on how to participate can be found on this page: https://www.theonlinetattingclass.com/tatting-angels-tribute 

The list of available patterns is on the same page, where you are also invited to participate as a designer.

For this noble purpose, Muskaan and I, on behalf of the Endrucks 1920 Project, have offered all the angel patterns available in the #Endrucks1920Project. Muskaan talked about it in her blog a few days ago: https://tipsaroundthehome.blogspot.com/2026/07/angels-needed.html 

Additionally, I can personally contribute offering the pattern shared in this post and another, the angel Ariel, which you can find here: https://ninettacaruso.blogspot.com/2015/12/a-pattern-under-tree.html

 
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I thank Tamie and The Online Tatting Class so much for this initiative. I hope many tatting angels will be sent and that many children and donors will appreciate and keep the tangible memory of this gesture of generosity.

Ciao, Ninetta

Thursday, 13 June 2024

captured in pairs – Part IV

This post is part of a series:

Captured Picot VersionA: captured in many ways - Part I

Captured Picot VersionB: captured in a twist - Part II

Adjoining Captured Picots and Captured Join: captured and caught - Part III

Triple and Quadruple Captured Picot: this post (captured in Pairs - Part IV)

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My PIC (Partner In Crime) saw all this series in advance. Playing in pairs is a lot more enjoyable than playing alone, also I needed help to rationalise all the different effects and Muskaan is always generous and talented, giving me a lot of her time. We love exploring tatting techniques together!

Every effect shown here in rings can be applied in chains too.

Continuing from previous post, you’ll read about the (perhaps!) last couple of effects which combine Captured Join (CJ) with Captured Picot (CP). A good pair to end this series.

Thread is Lizbeth size 10, pink 619 and seagreen 686.

Triple Captured Picot

1 - Start with 6 ds, then first long picot and 3ds. I used a picot gauge 1/2”, vertically. The first picot is a normal long picot.

2 - (Here the CJ starts.) Pull up a loop from the front through the first long picot to be joined. Put your fingers inside that loop.

3 - Then, just like explained for CP VersionB, take the loop and twist it clockwise so that you will create the second measured picot (1/4” used vertically), and 

4 - tat 3ds with the thread coming from the loop.

5 -  open again the main loop of the ring, put your hand again inside it and 

6 - leave the space for the third long picot (1/2” used vertically) and complete the ring. The 3rd  picot gets captured through both previous picots.

I tatted 6ds and closed it.

Update: In step 3 the twist is needed to capture the thread in the picot before making the next double stitch. You can twist the loop clockwise or counterclockwise: the final effect is slightly different but really almost unnoticeable! See the next pic: 

**********

Quadruple Captured Picot

This is another combination of CJ and CP, where the first picot is again a normal long picot:

1 - Start with 4 ds, then first long picot and 3ds. I used a picot gauge 1/2”, vertically.

2 - (Here the CJ starts.) Pull up a loop from the front through the first long picot to be joined. 

3 - Put your fingers inside that loop, leave a second measured picot (1/4” used vertically), and 

4 - tat 3ds with the thread coming from the loop.

5 - Then, just like explained for CP VersionB, take the loop and twist it clockwise so that you will create the third measured picot (1/4” used vertically), and in this way you will have the loop in front of the third picot.

6 - tat 3ds with the thread coming from the loop.

7 -  open again the main loop of the ring, put your hand inside it and 

8 - leave the space for the fourth long picot (1/2” used vertically), that will be captured by both the first and the third picots, and complete the ring. 

I tatted 4ds and closed it.

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I’m tatting a delicate narrow edging, just to show off the quadruple effect. Thread is DMC size 80. I have already tatted about 40cm of it, I think that it would be nice around a little linen rectangle - at least this is the plan. I’ll be back to the blog when it will be finished.

Pattern:
r-A    4 - 4 - - 3 CJ↑ ( - 3 -↑ 3) - - 4 - 4. rw
ch-B    4 - 4. rw
r-C    4 +(to previous ring) 4 - 4. rw 
ch-D    4 - 4. rw
r-E    4 +(to previous ring)  4 - - 3 CJ↑ ( - 3 -↑ 3) - - 4 - 4. rw
    
Repeat from r-C to r-E till you reach your desired length.

Legend:
- -  long picot (gauge 8mm used vertically)
-  short picot (gauge 2mm used vertically)
CJ↑ captured up join
-↑ Captured Picot VersionB, twist loop clockwise
(…) = in rounded parentheses the stitches made with working thread coming from the loop

UPDATE (25 June) the edging is finished:

Update - video: https://drive.google.com/file/d/1Tqwy5Jvd6p3qeDJQjQ_t3sWpfgxsr446/view?usp=drivesdk 

Ciao, 

Ninetta.

Monday, 10 June 2024

captured and caught – Part III

This post is part of a series:

Captured Picot VersionA: captured in many ways - Part I
Captured Picot VersionB: captured in a twist - Part II
Adjoining Captured Picots and Captured Join: this post (captured and caught - Part III)
Triple and Quadruple Captured Picot: next post (captured in Pairs - Part IV)

Continuing from previous post. 

Every effect shown here in rings can be applied in chains too.

Adjoining Captured Picots

In this ring the second picot is captured by the first, then the third picot is captured by the second, etc. The Captured Picots are tatted in the same way shown in VersionA, and the steps (pics 2 to 6 in the blogpost for VersionA) are repeated after each long picot. That is (following stitch count in the pic above): 

1 - Start with 4 ds, then first long picot and one ds. For the Lizbeth size 10, I used a gauge of 1/2”, vertically.

2 - Pull up a loop from the front through the first long picot, put your fingers inside that loop (pics 2 and 3 in VersionA) and tat 3ds with the thread coming from the loop

3 - Then, open again the main loop of the ring, put your hand inside it and the working thread will be “captured” by the first long picot. 

4 – Leave a second long picot and tat 1ds

5 - Pull up a loop from the front through the second long picot, put your fingers inside that loop and tat 3ds with the thread coming from the loop

6 - Then, open again the main loop of the ring, put your hand inside it and the working thread will be “captured” by the second long picot.

7 – Leave a third long picot and tat 1ds

8 - Pull up a loop from the front through the third long picot, put your fingers inside that loop and tat 3ds with the thread coming from the loop

9 - Then, open again the main loop of the ring, put your hand inside it and the working thread will be “captured” by the third long picot.

10 – Leave a fourth long picot and tat 1ds

… Etcetera. If you like, it can be continued. Complete the ring (after the 4th picot I tatted 4 ds and closed the ring). 

*******

The picots in the “adjoining capture” can have different lengths, it’s not mandatory to make them all with the same gauge! And they can combine up and down overlappings - this variety can create some different effects, for example in next pic:

In this ring, tatted using Lizbeth size 10, the 1st picot is a medium length picot (1/4” used vertically), the 2nd is a long picot (1/2” used vertically), and 3rd is a medium length picot (1/4” used vertically). The “Capture” was tatted as shown in VersionA, and the first capture was made pulling up the loop from the front through the first picot, while the second capture was made pulling down the loop from the back through the second picot.

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Captured Join 

A technique similar to the Captured Picot can be used for joining.
In the next pic, the first pink ring is 6-3--3.

In the second pink ring, you see what I call “Captured Up Join”:

1 - Start with 3ds, then pull up a loop from the front through the long picot of previous ring to be joined.

2 - Put your fingers inside that loop, leave a first measured picot (1/4” used vertically, for the Lizbeth size 10),

3 - tat 3ds with the thread coming from the loop.

4 - Then open again the main loop of the ring, put your hand again inside it and 

5 - leave a second measured picot (same size in this sample) and complete the ring. I tatted 9ds and closed it.

Note: in step 1. if you pull the loop down from the back, then it will be called a “Captured Down Join” (I haven’t a pic)

*******

This is the same Captured Up Join, but I joined back to a previous long picot in the same element, and also the third picot is the same length of the first one. Nice effect, isn’t it? 

*******

From now on, I’ll use the abbreviations:  CP = Captured Picot; CJ = Captured Join

*******

In how many ways can I join to a CP? I made some experiments, and I feel that my list can grow. Till now I have 3 nice types of joins:

Types of joins

pic 1 - I tatted first the pink ring with CP, and later I joined the seagreen rings with normal up join in both picots.

pic 2 – I tatted first the pink ring with CP, and later I joined the seagreen ring with normal join to first long picot, 1ds, normal join to second long picot.

pic 3 – I tatted first the pink ring with CP, and later I tatted the seagreen ring with Captured Join, taking the loop in the space where the pink CP is crossing. The long picots show off the effect very well.

*******

Mixing captures

The next is another effect, in fact I tatted first the pink ring with a normal long picot. Then, I tatted the seagreen ring with two picots which join to the same pink picot, and the second of them is “captured”:

I combined CJ with CP (VersionA) - that is, in the seagreen ring, when you want to join: 

1- pull up a loop from the front through the pink picot to be joined (CJ), then - working with this loop,

2- start a CP VersionA (from pic 2 in the tutorial), that is: first long picot, then tat 1ds, then pull a loop through the first picot, etc.etc.

*******

If the CP captured your interest, if your threads aren’t caught on your fingers and if I haven’t bored you yet, maybe you are willing to read the last post in this series, so… see you soon!

Ciao, 

Ninetta.



Saturday, 8 June 2024

captured in a twist – Part II

Continuing from previous post. 

Every effect shown here in rings can be applied in chains too.

I found another way to tat the same Captured Picot. The difference between VersionA and VersionB is in a little “bump” of thread present in VersionA (see the black arrow in the next picture), that disappears in VersionB. In this collage I put side by side all rings tatted in the two versions, hope that it is clear what I wanted to put in evidence.

The ‘bump’ in Version A is caused because the first picot gets encapsulated in the next half-stitch and the thread is visible in the front when the loop for the second picot is pulled UP through first picot:

Note by Muskaan:  In VersionA, when the loop for the second picot is pulled DOWN through the first picot, this bump/extra thread moves to the back and is NOT visible in the front. This effect is well visible in the “Single Ring Butterfly”, already shown in previous post, where both captured picots have been tatted following VersionA.

Captured Picot – Version B

In this version the first picot will be created by the same loop that forms the second picot. The following collage shows how I tatted Version B (note that stitch count is only for the scope of this tutorial):

pic 1 - Start with 3ds. 

pic 2 and drawing - Take the loop around the hand and twist it clockwise so that you will create an “8” shape, this movement will create the first picot and will take the loop in front of the first picot in this way: bend the upper loop of that “8” toward the last tatted ds and put your fingers inside that upper loop. NOTE: This is to ‘trap’/capture the thread in the first picot. Leaving it in place, work the next steps using the right side of the loop. 

Note that if you twist the ring loop counterclockwise the loop will be turned toward the back of the first picot, and the thread will overlap in the opposite direction.

pic 3 - Leave the space for the first long picot, then tat next ds with the thread coming from the loop. 

The height of the long picots were eyeballed in the thai thread, but with the Lizbeth size 10 I used a gauge of 1/2” vertically. 

pic 4 – Tat a total of 4 ds with the thread coming from the loop. 

Note that the stitch count in this step/pic is sort of “strategical”, because the effect will be more evident if the second picot is “captured” at a distance. Hence I would not recommend to tat only 1 or 2 ds in this step. 

pic 5 - Then, open again the main loop of the ring. Put your hand inside the main loop of the ring and the working thread will be captured by the first long picot. Leave the space for the second long picot, I used the same picot gauge.

pic 6 - Complete the ring (I tatted 3 ds in the big ring) and close it. 

Muskaan’s note:
- The main difference between VersionA and VersionB is in pic 2. In VersionA (pic 2 in previous blogpost) the first picot is made complete followed by one ds and then the thread is pulled through the picot to start the second picot. In VersionB (pic 2 in this post), the first picot is made after the thread for second picot is folded into position.

Captured Picot Version B (twist loop clockwise):   R: 6 - -↑ (4) - - 6

Captured Picot Version B (twist loop counterclockwise):   R: 6 - -↓ (4) - - 6

Legend:
- -  long picot
-↑ Captured picot, Version B, twist loop clockwise
-↓ Captured picot, Version B, twist loop counterclockwise
(4) = 4ds tatted with working thread coming from the loop 

*******

Muskaan already tatted some of the various possibilities, for example the adjoining captured picots using a dark thread, and so I noticed a little small picot (highlighted with the white line on the left in the pic below) that gave me ideas to go further in exploring this new decorative picot. Muskaan is the best for tatting techniques, she’s always generous in sharing ideas, encourage, dissect, motivate, and she is my “Partner In Crime”!!

Well, so the exploration continues and there will be two other posts in this series …

As a sneak peek, here is the “Quadruple Captured Picot”, I will explain this effect too. Now I have a lovely edging, a WIP with a good chance to be finished! Thread is DMC size 80. The pin in the pic is to visualize the actual size of the edging.

Ciao, 

Ninetta.

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This post is part of a series:

Captured Picot VersionA: captured in many ways - Part I

Captured Picot VersionB: captured in a twist - Part II

Adjoining Captured Picots and Captured Join: captured and caught - Part III

Triple and Quadruple Captured Picot: captured in Pairs - Part IV

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Wednesday, 5 June 2024

captured in many ways – Part I

 

thread is Lizbeth size 10, pink 619 and seagreen 686

This decorative picot is something new. Many thanks to Muskaan who suggested the name: "Captured Picot". We’re discovering together that there’s a full range of possible effects and two ways of tatting it. But, sorry, I’m going too fast. Let me start from the beginning.

For the #PicotMeEndrucks April 2024 game in the Endrucks 1920 Project FB group, Muskaan compiled a list (only pictures) of Decorative Picots in Tatting - https://drive.google.com/file/d/1D6l4gQWeGu1Se1ZXAhP2vWLQMd4lfzMJ/view

She’s always very inspiring (the visual compilation is coloured and brilliant) and I started a personal study/refresher of both Butterfly and Wide Picots, referring to the list of links of tatting tutorials in Muskaan’s page - https://tipsaroundthehome.blogspot.com/p/tatting-resources.html 

It’s always a wonderful moment when you “see” old things with new eyes. I love Rhoda Auld’s (1974) words – “Part of the time at least think of the activity of tatting, not the tatted piece, as an enjoyable end in itself. Don’t concern yourself with making something but only with doing something, in just the same way that a game of solitaire is an end in itself.” And so, I played.

Every effect shown here in rings can be applied in chains too.

Playing with the Butterfly Picot technique, devised by Lenka Hašková, I obtained a long picot that interlaces with any other picot (it can be in the same ring or chain, or on an earlier element). Of course, I first asked Muskaan if she had seen this effect before, and she suggested sharing a picture in Facebook with the same question. The post is public, posted on 7th May in my Fb profile, and I think that you can open it, even without logging in - https://www.facebook.com/ninetta.caruso/posts/7903614906337830 -. 

(Fig.1)

Actually I found two ways of tatting the basic version of the Captured Picot, and this gives rise to two versions, as shown in Fig.1 above, in pink and seagreen thread. I don’t mean to challenge you to spot the difference, I promise to reveal all details in this post and in the next.

Captured Picot – VersionA

In the comments of the Facebook post, I shared a video showing how I tatted my very first version, the ring tatted with pink thread. 

>>> This is the very short video, that I shot the same day of the Fb post: https://drive.google.com/file/d/1qSx3w3sSOS-x_5IhA55-RLqLS5K24FkQ/view?usp=sharing 

Unfortunately, I didn’t make new videos, because my thumb has been “captured” too … it got stuck in a drawer, and, oh well… I'd rather don't make videos with a black nail in the foreground!

However, I prefer visual stepwise pictures to videos, so I prepared a collage for it. I used a thick thai lanyard used for crochet bags.

pic 1 - Start with 3 ds, then a long picot and one ds. The height of the long picot was eyeballed in the thai thread, but with the Lizbeth size 10 I used a gauge of 1/2” vertically.

pic 2 - Pull up a loop from the front through the long picot. This is the same movement that we do when joining. And when you join you put your shuttle inside the loop, right? But - IMPORTANT - in this case the shuttle won’t pass through the loop. 

pic 3 - Put your fingers inside that loop, in a way similar to what Dan Rusch has shown in his (2003) pictorial for the Wide Picot - http://pages.suddenlink.net/tatmeister/widepicot.html? . Also Muskaan did a pictorial on Dan Rusch’s method - https://drive.google.com/file/d/1Ejb7tVOk15VQHV0omhUt-HIb1CzYAI7I/view .

pic 4 – Then, tat 3ds with the thread coming from the loop.
Note that the stitch count in this step/pic is sort of “strategical”, because the effect will be more evident if the second picot is “captured” at a distance. Hence I would not recommend to tat only 1 or 2 ds in this step.

pic 5 - Open again the main loop of the ring, put your hand inside it, and the working thread will be “captured” by the first long picot.

pic 6 and 7 – Leave a second long picot and complete the ring (I tatted 3 ds and closed it). I used the same picot gauge used for the first picot.

Note that there isn’t encapsulation: the first long picot is not encapsulated in the next stitches.

Muskaan tatted it almost the same day of my Facebook post, and left this comment: “I was also thinking of symmetry. If we pull down the loop instead of pull up a loop through the previous picot, we should get the opposite overlap”. She’s very right! I tried it and here it is a “Single Ring Butterfly”. Who’s the designer? Muskinetta? Lol!!

Single Ring Butterfly - Pattern

Ring: 1 - - 1 +↓ (3) - - 1-1 - - 1+↑ (3) - - 1

Legend:

- -  long picot
+↓ Captured picot, VersionA, pull down loop
+↑ Captured picot, VersionA, pull up loop
(3) = 3ds tatted with working thread coming from the loop  

********
Muskaan contributed with many samples and observations, among these:
1.    the size of the long picots can make a difference in the overall look and how well the interlacing is visible.
2.    Important – the captured picots are both decorative as well as functional. You can easily join another element to either or both picots.

tatted by Muskaan (VersionA, pull up loop): Ring: 5 - - 1+↑ (4) - - 5

tatted by me (VersionA, pull down loop): Ring: 5 - - 1+↓ (4) - - 5

********

In the next post you will find another way to tat the same captured picot, shown in Fig.1 above as “VersionB”.

Ciao, 

Ninetta.

*********************

This post is part of a series:

Captured Picot VersionA: captured in many ways - Part I

Captured Picot VersionB: captured in a twist - Part II

Adjoining Captured Picots and Captured Join: captured and caught - Part III

Triple and Quadruple Captured Picot: captured in Pairs - Part IV

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Tuesday, 2 June 2020

Parure “Anne” - with pattern

I’ve been updating my tutorials' and patterns’ pages, with links and pictures. Please if you find any oversight from my side, leave a comment in the corresponding blog post. Thank you very much for your help.
🌸🌸🌸🌸🌸🌸🌸🌸🌸

For tatting the bracelet, I’ve followed almost Anne Orr's pattern for an edging. It is from J&P Coats Crochet, Cross Stitch & Tatting Book #14, 1923. (Tatting is at pages 7 and 8.)
The edging is the fourth starting from the top, at page 7:
https://www.georgiaseitz.com/public/anneorr/book14/ao_p_7.jpg
To have the inner ring coloured (blue in my sample), split rings are tatted with 3 shuttles, two of them are for the split rings, the third shuttle/thread is hidden inside the reverse side of the SR, and it is used to tat the inner ring.
I tatted my bracelet with only 2 shuttles, the inner ring is tatted and joined to the outer ring using the same method that I explained here: Anne Orr's Slip Join (AOSJ) – pics 43 & 44
 
In the next, numbers without other indications are double stitch count.
ds = double stitch
- = picot
+ = normal up join
R = ring
SR = split ring
OR = onion ring
AOSJ = Anne Orr's Slip Join
SSSR = single shuttle split ring

Anne Orr’s pattern for edging with split onion rings:
SR: 8-1- (stop and then tat 1-8 ds after the reversed side) / 9 [R:10 AOSJ 10] 9.
Repeat for the desired length.

My bracelet’s pattern:
Bicones and pearls are 4mm. Thread is Sanbest col.num. 108 (4 strands, very similar to a size 20 cotton thread). I put the beads using this method: Bead in face-inward picot https://flic.kr/p/mTMZeB
Start with a ring: 12.
SR: 9- (stop and then tat 9 ds after the reversed side) / 9, [inner R:4, insert bead, 4, AOSJ 4, join the picot for bead, 4 ], 9.
Repeat split rings for the desired length.
Finish with a ring: 12.

I usually use this method to finish the last ring of my bracelets: Finishing with SSSR (http://tattingfool.blogspot.com/2011/07/finishing-with-sssr.html)

**************************************
The pendant’s pattern starts with an onion ring with true rings (https://ninettacaruso.blogspot.com/2020/04/the-onion-dilemma.html):

Onion ring:
- Inner ring: R:4, insert bicone, 4, AOSJ 4, join the picot for bicone, 4.
- Outer ring: 6-6-6 onion ring join 6-6-6

Then I climbed to the second round in the same way I used for the "square medallion in leaf design", described here: https://ninettacaruso.blogspot.com/2020/05/mock-and-split-but-still-genuine.html.
Rings’ stitch count in the second round is the same as the central true onion rings, but they are all split onion rings, like in the bracelet and in the Anne Orr’s "square medallion in leaf design".
(Note for myself: this second round needs a drawing)

Then I climbed to a third round (the first bigger ring is a split ring):
SR: 6-6; Repeat for 3 times.
SR: 6 / 3, [bigger ring: 6, insert pearl, 2+8+2, join the picot for pearl, 6], 3. (bigger ring is joined twice to the second round)
Repeat all around,
then finish with a round of Chains: 8, lock join to split rings’ base.

The pendant ends with a split chain and a multiple onion ring, that is 3 true onion rings and one mock ring (“6.2.2 Inner and median true rings and outer mock ring”, it is for 3 rings but it is the same method with 4 concentric rings).

I “copied” the idea from Muskaan, who used a folded multiple onion ring to have a loop/hook where passing the chain through (Thank you Muskaan!). This is the link to her original post: https://tipsaroundthehome.blogspot.com/2015/04/parallel-tracks.html

Curled onion ring:
innermost ring: 6-6.
second inner ring: 8 onion ring join, picot, 8.
third inner ring: 12 onion ring join, picot, 12.
outer mock ring: 14 onion ring join, picot, 14.
Fold it over and tie threads.

The necklace is a line of split rings, all are 8-8.

**************************************
Earrings’ pattern:
The earrings’s onion rings are tatted with the same stitch count of the bracelet.
It starts with an onion ring:
Inner ring: R:4, insert pearl, 4, AOSJ 4, join the picot for pearl, 4.
Outer ring: 18 onion ring join 18.
SR: 9- (stop and then tat 9 ds after the reversed side) / 9, [inner R:4, insert bead, 4, AOSJ 4, join the picot for bead, 4 ], 9.
SR (name it A): 8-8
SR (name it B): 8-8
Multiple onion ring:
innermost ring: 6-6.
second inner ring: 8 onion ring join, picot, 8.
outer/third SPLIT ring: 12 onion ring join, picot, 12.
Finish with a small ring of 8 double stitches (I ended with the SSSR method by Miranda).

Then, to insert the earrings’ post, please look at next pictures: insert the small ring, from front to back inside the SR named A, then pick up the post and put it between the multiple onion ring and the SR named B, then inside the small ring.
I finished it sewing small ring and SR B together with a needle, using 2 strands of my thread.

That is a close up of the earrings, front and back:


Ciao,
Ninetta

Tuesday, 26 May 2020

whichever way you choose

This post is part of a series.
In this last part, you’ll find two chapters:
-->The 6th chapter is about which way you tat outer rings. How the final onion ring looks if we tat clockwise, compared to the other way? When it is convenient a change of direction?
-->The 7th chapter is about elements of design. That is, for example, can the inner ring be block tatting and can we still call it onion ring? I learned that the central inner ring can be substituted with other elements, since I found tatters who tats Cluny Onion Ring.

6. Direction of tatting

Note: words “clockwise” and “counterclockwise” are referring to the direction of tatting, if you look at it from the front side.

All methods in previous Parts have the outermost rings that run clockwise. For example, in chapter 2, the outer ring is a chain tatted from the front side of the work, in clockwise direction, that is the the working direction.

6.1 Outer ring in counterclockwise direction (Alligator Join)

I messaged with Sue Hanson before starting this series, about the old German method by Tina Frauberger (see Part III parag. 2.1) and how Georgia Seitz and their tatting friends started calling those concentric rings in the way we call them nowadays: onions probably became tatted onions from 2001 on... Then, Sue shared with me her way to close the outer mock ring, using the Alligator join.

The Alligator join is also called Under and Over Join.

That is not a new method, it is just another way to close a chain over itself. In Elgiva Nicholls’s “Tatting – History and techniques” there’s a paragraph where this method is described, and it’s entitled “The running scroll”.

For a tutorial about the Under and Over Join, please read this one by Muskaan:
https://tipsaroundthehome.blogspot.com/2018/05/mock-rings-1-under-and-over-join.html

Jane Eborall shares her drawing here: http://www.janeeborall.freeservers.com/AJoin.pdf

There's a reason to prefer the Alligator Join in onion mock rings and it depends if the onion ring is free in your current pattern; it should not have to be joined to a previous element.
It isn’t a constraint: in case you really like this method, and you want to use it in any pattern, Muskaan comes to rescue you: in the same tutorial linked above, she shows us how to manoeuvre if the ring needs to be attached to a previous element.

Compare this method with:
“2.1 Inner true ring with core thread (first shuttle), mock ring with ball thread (or second shuttle)”
in  Part III


In next picture:
First shuttle = core shuttle (yellow thread)
Second shuttle = "ball" shuttle (red thread).

Differences with the method described in Part III:
  • The inner ring is tatted from the frontside with first shuttle (currently the yellow - core thread’s shuttle). The inner ring won’t tip over. 
  • The outer chain is tatted normally, as though it was a continuation of a basic pattern – a line of rings and chains. To join the inner ring, I did a lock join (optional).
  • The outer chain turns around and over the inner ring, to comply with the direction of the mock ring that is emerging counterclockwise – if you look at it from frontside.
I tatted the chain from backside with reverse order stitches; but in the picture you see the frontside of the work.
Planning the direction is important when we follow visual patterns: if you use this method, you should pay attention and start the double stitches' count from the right side of the drawn outermost ring.

⇒⇒⇒ Closing the outer ring with the Alligator join:⇐⇐⇐
To close the mock ring, (working from the back side) put the shuttle thread above and ball thread under the base of inner ring (if you exchange threads, the yellow/core thread would be visible from front side).  That is, the Alligator Join.

Then, tension both threads and continue tatting the next chain as per your pattern. 

6.2 Onions with three concentric rings

In the next pictures:
First shuttle = core shuttle (red thread)
Second shuttle = "ball" shuttle (yellow thread).

Pattern (ds= double stitch):
Inner ring: 5ds, picot, 5ds.
Median ring: 5ds, picot, 5ds, join to inner ring, 5ds, picot, 5ds.
Outer ring: 7ds, join to median ring, picot, 7ds, join to median ring, picot, 7ds, join to median ring, picot, 7ds.

We have many choices, and in the next there’s only a subset. I leave it to you to discover other possibilities.

6.2.1) Three true rings (like in Part I and II):
Everything in Part I and in Part II is still valid. In next pic you see only one example.

6.2.2) Inner and median true rings and outer mock ring (like in Part III):
In this case, treat inner and median rings like only one ring. Everything in Part III is still valid for the outermost mock ring.
(Hint for more options: alternatively, you can use the method “counterclockwise” described in previous paragraph 6.1.)

In next pic you see only one example (please refer to pictures from 16 to 19 in Part III).
For the JSS, please see pictures from 6 to 9 in Part II.
 
6.2.3)  Inner ring as a true ring and both median and outer rings as mock rings: method A
In this case, the inner ring is tatted from the frontside with first shuttle (currently the red - core thread’s shuttle).
The median chain is tatted as though it was a continuation of a line of rings and chains. I tatted the chain from backside with reverse order stitches; but in next pic you see the frontside of the work.
Till this point, it is equal to the method described in previous paragraph 6.1.
Then, to close the median mock ring, lock join to the base. That switches threads so that the yellow thread is the core thread for the outer mock rings.

The outer mock ring is tatted from the frontside, here I closed it at its base with a lock join.

6.2.4)  Inner ring as a true ring and both median and outer rings as mock rings: method B
In this case, I tatted the inner ring with my first shuttle (currently the red - core thread’s shuttle). I tatted reversed stitches because that is the backside for me (but this is optional).

Then, the ball (yellow) thread has been moved on the back, that is to comply with the direction of the thread that is coming from last second half stitch (but, if my last chain had the first half stitch visible on the front side, then I would had moved the thread on the front). Notice that when I'm going to start the mock ring, I pull the first shuttle thread, and the inner ring tips over.

I tatted the median chain from the frontside, clockwise direction. Till this point, it is equal to the method “2.1 Inner true ring with core thread (first shuttle), mock ring with ball thread (or second shuttle)”, (please refer to pictures from 16 to 19 in Part III).
Then, to close the median mock ring, here I chose to do the Alligator Join, that is put the shuttle thread under and ball thread over the base of inner ring. The Alligator Join let me continue with the next outer ring in a smooth way.
Outer ring: tension well and start the outer mock ring. I chose to close the outer mock ring at its base with an onion ring join.

&&&&&&&&&&&&&&&&&&&&&&&&

In the next collage, the two methods A and B compared side by side:
My very personal choice goes to the more compact look.

7. Elements of design in onion rings

Warning: The title is misleading: the Onion Ring  IS  an element of design in tatting.

But, for the sake of curiosity, for example, can the inner ring be block tatting? It seems that tatters already answered to that question, in fact, I learned that the central inner ring can be substituted with other elements, like in the Cluny Onion Ring.

And not only clunies have been put inside rings: in one of her patterns, Muskaan put double true rings inside a mock ring (shared here: https://tipsaroundthehome.blogspot.com/2017/05/journey-of-single-shuttle.html ).
(I think there is another designer that put 2 rings inside a bigger ring in a pattern, but in this moment I can’t remember the name)

UPDATE: Ha Mi-Kyeong is a Korean designer that put 2 rings inside a bigger ring in a pattern, here:
https://m.blog.naver.com/rein9814/220838776350 , she can be found in Instagram, too: https://www.instagram.com/p/BiBDhB6A5dk/ 

7.1 Cluny Onion Ring

Basically, you tat the Cluny leaf, then you tat a chain around it, that closes at its base and becomes a mock ring, joining the opposite end of the leaf with the alligator join.

References:
Victats: Boo-yah ghost: https://victats.blogspot.com/2019/10/boo-yah-ghost.html
Muskaan: 2-Tone Cluny Bracelet: https://tipsaroundthehome.blogspot.com/2018/09/clunied.html

In the next pictures:
First shuttle = core shuttle (yellow thread)
Second shuttle = "ball" shuttle (red thread).

Pattern in my example (mixing both patterns above):
(I started with a ring: 5ds, picot,5ds; then chain: 3ds, picot, 3ds.)
Cluny is 12 wraps.
Wind loom with core shuttle and weave the Cluny leaf with second shuttle; let the second shuttle emerging from the right side (tip by Muskaan), then use it as core thread for the chain.
Outer mock ring/chain: leave a very small picot, then 14ds, Alligator Join to the beginning/base of Cluny, then 14ds.
To close the mock ring, I did an onion ring join.

>>>>>> The next one could be called Split Cluny Onion Ring: <<<<<<
All clunies are 12 wraps.
Wind loom with core shuttle and weave tally with second shuttle; let the second shuttle emerging from the right side (tip by Muskaan), then use it for making the loop around the hand.
Outer split ring: (make the loop around the hand with the second shuttle) leave a very small bare thread (for tolerance), 14ds. For the second side, with the first shuttle, leave a very small bare thread, then 14 reverse order reversed double stitches. To block the base of Cluny, I trapped the base of the leaf with an Alligator Join, between last reversed double stich and a reversed second half stitch, on the second side of the split ring.

In the next picture:
Sh1 = First shuttle = core shuttle (yellow thread)
Sh2 = Second shuttle = "ball" shuttle (red thread).
AJ = Alligator Join
rors = reverse order reverse stitches
rshs = reverse second half stitch


🧅🧅🧅🧅🧅🧅🧅🧅🧅🧅

All in all, I know my limits and this series is not all-inclusive. It’s my vade-mecum and I hope you will find it useful for your next onion rings projects, whichever way you prefer.

The sense of this last part is that any different method can be tuned to the pattern you’re going to face, the ultimate choice can be the designer’s or – if you feel adventurous – it’s up to you. A simple hint from my side is that you can tat your own samples, to use as future reference.

Many thanks to all those who chose to share, in tutorials, forum, videos and elsewhere online, thanks to all people mentioned in this series. Thanks to them I, in turn, can learn and share. Someone said that we are like dwarves on the shoulders of the giants that preceded us, that is true for whatever you learn and for tatting, too.

Ciao,
Ninetta

Tuesday, 19 May 2020

the onion takes dimension

This post is part of a series.
In previous ‘episodes’ of the Onion Saga, I described methods to obtain concentric rings on the plane. That are the most tatted onion rings ever. But there are some nice variations that can be used in 3D tatting, that is onion rings can take dimensions and can be layered, perpendicular, curled and – why not? – twisted...
Once Muskaan wrote that “Universe is made of swirls and curls” and, especially at that time, I was not in the position to differ 😉 (her “little ditty” is here: https://tipsaroundthehome.blogspot.com/2015/05/tatting-technique-curled-rings-concept.html) 

In the next pictures:
First shuttle = core shuttle (red thread)
Second shuttle = "ball" shuttle (yellow thread).

5. layered and 3D onions

5.1 Layered Onion rings

Reference:
I found the original method only in one pattern by Muskaan, here:
https://tipsaroundthehome.blogspot.in/2017/03/marigolds-in-row.html
Her photo-tutorial is in the same post.

Before starting, I’ve tatted one onion ring with true rings (like I did in Part I) to compare. In this method inner and outer rings are true rings, too.

In fig. 57, I've already tatted the inner ring from frontside, as per my pattern (5ds, picot, 5ds). Then, following Muskaan’s instructions, I folded the inner ring forward and started outer ring at base from behind.

I did the onion ring join, but I didn’t follow Muskaan’s tip to make only the second half stitch after the join; instead, I left the space for the picot and continued with a complete ds.
As you see in both pictures numbered 58, the inner ring is slightly layered over the outermost ring. That is a pretty change for patterns that need depth. Here in my pattern it is a shallow depth though, like a delicate bas-relief.


5.2 Perpendicular (3D) Onion Rings

Reference:
I found the original method only in one pattern by Muskaan, here:
https://tipsaroundthehome.blogspot.com/2014/09/tatting-pattern-tiny-heart-poppy-part-2.html
Her corresponding tutorial is here:
https://tipsaroundthehome.blogspot.com/2014/11/perpendicular-concentriconion-rings.html

Also in this method, inner and outer rings are true rings. Even if Muskaan's tutorial is about Josephine Rings, I tatted a perpendicular onion rings with normal rings.

I tatted the inner true ring with the core (red) shuttle, then the outer true ring with the yellow (ball) shuttle. In that way, the second ring is already in the right position to turn at a right angle (90˚) to the inner ring.

In fig. 59,  I’ve already tatted the inner ring from the frontside (5ds, picot, 5ds). Then, I followed Muskaan’s instructions: “I brought the yellow thread in front, to 'midpoint' of inner ring & made the loop for the outer ring over and across the base”. The red thread has to be posted through the yellow loop,  the loop should be around the inner ring.

(fig. 60) For the outer ring, I didn’t follow my pattern, in fact I tatted 7ds then joined inner ring and tatted 7ds more, then I closed the ring.

In fig. 61, I did the onion ring join, then I left the space for the picot and continued with a complete ds.
Muskaan shared ideas for where this perpendicular onion rings can be used: in place of beads, for buds, pistils... well you should read her tutorial for more!


5.3 Curled Onion rings

Reference:
The original method can be found in a simple clover edging pattern, here:
https://ninettacaruso.blogspot.com/2015/04/pride-and-prejudice.html
(visual drawing in png format is here: https://flic.kr/p/rYfoJw )
(visual drawing in jpg format is here: https://flic.kr/p/2hN6kc7 )

The tutorial was kindly offered by Muskaan and it is here:
https://tipsaroundthehome.blogspot.com/2015/05/more-options-curly-pattern.html

In fig. 63 I’ve already tatted a normal onion ring with true rings (in the way showed in Part I), then I curled both rings over the base (toward the tatter) and passed the hook through the picot, pulled a loop of chain’s thread (that is the yellow ‘ball’ shuttle) and made a normal join with the other shuttle.

5.4 Small curled onion rings

Reference:
The original method is in my tutorial, here:
http://www.georgiaseitz.com/2016/ninettaalternatemethodsofcurlingrings.pdf
(in the pdf there’s a missing link to this file with patterns:
BraceletsCapriccio.pdf  : http://www.georgiaseitz.com/2016/ninettabraceletscapriccio.pdf )


Well, a Small Curled Ring (abbr. sCR) tatted inside a normal ring can be considered a sort of layered/3D onion rings. I’ve used the technique in one of my bookmarks (but I’ve not shared the pattern yet):
https://ninettacaruso.blogspot.com/2015/06/solution-or-pollution.html

If you need a short refresh (without reading the pdf):
  • the sCR ring and the normal ring start at the same point (like onion rings)
  • the sCR is made before the normal ring
  • the sCR is tatted with the second shuttle, front side view
  • the sCR starts close to the last tatted element in the pattern (otherwise a bare thread space changes the stability of the sCR)
  • the sCR is made normally, with at least one picot that is used for the curling (stitches’ count here it is 4ds, picot, 4ds)
  • (fig. 65) at the point where the picot has to be, the first shuttle’s thread is put in front of the sCR and passed through the loop around the hand, with a first half stitch movement 
  • the picot can vary in size, that determines the ultimate shape of the curve. Picot here it is a very small one.
  • the sCR ring is closed normally
  • the normal ring is tatted with the first shuttle (stitches’ count here it is 8ds, picot, 8ds) 
  • (fig. 66 & 67) The outer ring’s loop around the hand is formed with the picot of the sCR "trapped" inside the picot.
  • when the normal ring is closed, the picot is blocked at the base, folding the sCR over itself (fig.68)
  • after closing the normal ring, no matter what the next element in the pattern is, I recommend to tat at least 1 ds chain to keep the sCR in its position.

😎The "Small Curled Onion Ring” in pictures from 69 to 73 was found almost simultaneously by Muskaan and it's explained in my tutorial and also here:
https://tipsaroundthehome.blogspot.com/2016/04/trials-and-tribulations.html

In this case there are 2 sCR nested inside the outermost normal ring, giving that triple onion ring effect.

For the first sCR, you’d follow the same method described in pictures 65 and 66. Then start a second sCR with the first shuttle’s thread but:

(fig. 69 & 70) at the point where the picot has to be, the second shuttle’s thread is just posted from back to front inside the picot loop around the hand (not fhs movement here). (this the same movement done in the Anne Orr’s “square medallion” of previous post - Part V)

The first sCR is 4ds, picot, 4ds ; the second sCR is 8ds, picot (with the second shuttle’s thread inside), 8ds. The outermost ring is 10ds, picot, 10ds.

(fig. 71) Then start the outer ring. Put fingers inside the second shuttle’s loop and put it around the hand. Leave a bare thread space (for tolerance) and start a normal ring. In the example it is 10ds, picot, 10ds. I recommend to tat at least 1 ds chain to keep both the sCR in their position.

I’m puzzled for not having a pattern of mine with that last lovely effect, that’s something to think about.

🧅🧅🧅🧅🧅🧅🧅🧅🧅🧅

I’ve still something to add, about the direction of tatting and something else that I left out in previous parts. But I’m afraid that current post would be too much long.
It’s difficult dimensioning a blog post, there’s times when you have just one picture and others when you feel you didn’t say everything you had planned. So... sorry, there will be another “chapter” next week, the last one - I promise.

I look forward to hearing from you, if you think there is something to clarify, please leave me a comment, I would love it.

... To be continued!

Ciao,
Ninetta

Thank you very much for all your nice comments.

Ciao
Ninetta